01
Short films
A paper-sculpture picture from premise to finished film. One world, one material, directed as cinema — staging, light, and a camera that treats the sheets as a real place.
I build paper worlds
and film them so every
frame stays one material
+
Scroll to explore
+
Paper worlds,
filmed.
Commissions for paper-sculpture shorts, stills cut from the same sheets, and the aesthetic and prompt language that keep a whole series in one material.
Our approach02
Paper stills
Plates and key art from the same fiber. A poster, an exhibition print, or the face of a film — cut, lit, and held in the same depth as the moving picture.
03
Aesthetic & prompts
A written look and a prompt language for a series: material, layers, light, and camera. So every new frame stays one substance, instead of drifting into a different picture.
Featured Work
A short film and material studies from the same paper world.
Method
How a frame holds
Depth
Depth is a stack of sheets. The shadow between them is a gap you could measure. Blur is not a substitute for a layer.
Light
Light falls on fiber. Edges are cut. The surface stays paper — no plastic shine, no clay, no cartoon gloss.
Language
A prompt names material, layer, light, and camera. It does not explain the theme, and it does not write the moral into the picture.
Skills
Contact
A story that wants
a body — write.
Commissioned shorts, small brand films, key art, or an aesthetic and prompt system for a series. English or Chinese, either is fine.
hello@yourdomain.comTell me the piece, the length, and when you need it seen.